Rita GT

Growing up in Portugal, with its history of colonization, trade, and cultural exchange, has made me acutely aware of intercultural phenomena. I see art as a powerful tool to question and rethink these issues with social, cultural, and political responsibility.

Growing up in Portugal, with its history of colonization, trade, and cultural exchange, has made me acutely aware of intercultural phenomena. I see art as a powerful tool to question and rethink these issues with social, cultural, and political responsibility. Exploring concepts like European and colonial identity, the discipline of art history, and the role of museums is essential for understanding others and connecting these ideas to the Internet age. How do new media represent material culture today? Both museums and the web serve as spaces for exchange, negotiation, and communication, reflecting humanity’s enduring need to transmit and trade knowledge and objects.

I am interested in examining controversial issues such as the appropriation and decontextualization of other cultures through their characteristic objects and the historical contexts of colonialism and modernism. Additionally, I explore using the Internet as a medium to release works of art. My artistic practice focuses on the constant change—or dislocation—of place, culture, and way of living. To gain new perspectives, I believe it is necessary to step outside the familiar world. A second language, a second skin, or even more is needed to rethink established notions.

Rita GT
Biography
Biography

Rita GT (Porto, 1980) is based in between Portugal and Angola. She holds a degree in Communication Design from the Faculty of Fine Arts (University of Porto, Portugal), concluded the advanced course in Visual Arts at Maumaus School of Visual Arts (Lisbon, Portugal) and undertook the MA in Fine Arts in Malmö Art Academy (Lund University in Malmö, Sweden).

Rita GT is a critical and intervening artist, approaching themes such as memory, identity or the importance of human rights. Having lived in many different countries enables her to have a broader vision, valuing the historical points of view of a wide range of cultures. The colonial symbolism that is recurrent in her work defines her own identity and artistic language. The artist uses imagery, words, and performance revealing a constant interrogation and experimentalism in both material and conceptual aspects.

Rita GT is the founder of the e-studio Luanda project and the commissioner for the Angolan Pavilion, curated by António Ole at the 56th Venice Biennale (2015). She’s being working actively between Portugal and Angola, managing and curating several projects. Her work is represented in several public and private collections internationally.

Rita GT
Selected works