Kwame Sousa

"The sense of utopia I find in my workplace inspires me to work on and about it. It is interestingto me to understand how the different stories that are linked to my people inspired my trajectoryand my work, that unfolds in different media, as in painting, photography and installation.The timeless narrative that art affords allows me to make this context current. The transportof memories of moments makes this utopian thinking current so that my research is eventuallybased on identity and the strengthening of ethnic and cultural concepts, about the materialand immaterial heritage that many would like to see disappear. My works are not just figmentsof the imagination. They are tangible objects, the fruit of my people's history!"

Time scale is diluted in Kwame Sousa’s paintings, between the present and the past, the lineis frozen, and the pauses fully assumed by their protagonists. He proceeds by layering.«working on several works and ideas at the same time, they are complementary. I donot workthinking that it will synthesize all my research in just one piece. It is a continuous process”.

Often pairing or grouping, frontal, or sideways, these bodies challenge us, questioning usabout what we look at and how. Feet are not grounded, bodies seem to be in levitation, as ifnot belonging to anywhere, but for sure embodying the black body from the slavery epic untilour era of wildly capitalist time. The works embrace the remaining pain and proudnessimprinted in each cell of these paintedbodies at a standstill.

Kwame Sousa connects text and image to reinforce empowerment in a discursive mode thatallows power to be transferred to others. He represents the protagonists of the liberating andemancipatory movements in full demonstration oftheir discourse on racial equality as thewritten sentences on the painted canvases evoque. He paints signs that fight againstsubmission, white and capitalist supremacy as defined by Bell Hooks.

Cecile Bourne Farrell, 2022

Kwame Sousa
Biography
Biography

Kwame Sousa (1980, São Tomé and Príncipe) is a multidisciplinary artist who investigates the history of São Tomé while exploring a wide range of media, techniques and styles. He discovered his taste for art at an early age, starting to draw as a self-taught artist. In 2001 he joined the group of young artists hosted by Teia de Arte, where, under the guidance and support of João Carlos Silva, he had the opportunity to learn and share different artistic languages with artists from all over the world, taking part in the 2nd São Tomé and Príncipe Arts Biennial in 2002. Later, in 2004, he began his academic career in Portugal, studying atthe Escola de Artes e Ofícios do Espetáculo and then painting and drawing at Ar. Co-Independent Art School, with the support of a grant from the Portuguese Cooperation.

Over the last few years, many galleries, art fairs and capitals have welcomed his work, including the Luanda Triennale, the Bamako Film and Art Festival, the Venice Architecture Biennale, the Droog Gallery in Amsterdam, ARCO Lisbon, Madrid and Art In A Box in New York and Washington. Kwame Sousa belongs to the third generation of artists from São Tomé, and is currently considered one of its most influential figures.

Having built up a large part of his career and recognition internationally, one day he decided to return home and set up an art school. In 2017, on a plot of land next to his father’s house, the first and only Visual Arts School currently operating in São Tomé and Príncipe was born. This school, Ateliê M, is the birthplace of a new cultural and artistic current in São Tomé, with artists who are more aware and open to the world, but who never forget the roots that surround them, the context they come from. It  expressed clearly and particularly in their work.

In his personal artistic career, Kwame has been particularly interested in researching and tracing the processes of colonial independence and the cumulative processes of building African identity.

Kwame Sousa
Selected works