David Brits

“I perceive art as a tool for psychological “working through” my inherited existence. Firstly as a way to process the inherited history of being a young white South African man coming of age in democratic South Africa, and increasingly as a process to contextualise being an entity of consciousness inhabiting a human body."

“I perceive art as a tool for psychological “working through” my inherited existence. Firstly as a way to process the inherited history of being a young white South African man coming of age in democratic South Africa, and increasingly as a process to contextualise being an entity of consciousness inhabiting a human body.

Whether it be in projects concerning archival photography, painting or sculpture, as research and experimentation lead to production, increasingly I feel more like a witness to the creative process than its agent. There is a deepened awareness of the artistic endeavour as something outside of the realm of personal control. The creative spirit is experienced as an inner tide – sometimes moving in fits and starts, other times oscillating as prolonged creative engagement, in the form of deep concentration and long hours of working. And I, the artist, the watcher of the emerging phenomena, can but admit that the imagination is poor indeed, in light of the dazzling fruits of the creative unfolding.”

David Brits
Biography
Biography

David Brits (Cape Town, 1987) is an award-winning artist whose experimental métier is dedicated to investigations in public-scale sculpture. He graduated from the Michaelis School of Fine Art at the University of Cape Town in 2010. Over the past four years, he has devoted his practice to formal investigations in public-scale sculpture. Equally energised by material exploration and archival investigation, Brits’ practice also spans installation, print-making, drawing and film.

Recent major public sculpture commissions include the Desmond Tutu HIV Foundation, The Speir arts Trust and the Iziko South African National Gallery. He is the winner of the Rupert Art Foundation’s inaugural Social Impact Arts Prize.

Brits’ recent solo exhibitions include Time is a Flat Circle held in 2022 at MOVART Gallery, Lisbon; Sketches for the Cathedral of Johannesburg, held in 2016 at HAZARD Gallery in Johannesburg, and Snake Man, at SMITH Gallery, Cape Town, in 2015.

In 2014, Brits was awarded a residency at the St. Moritz Art Academy, Switzerland, where he was mentored by Marcel van Eden and Daniele Buetti. Recent group shows include Materiality at the IZIKO South African National Gallery, Cape Town, Words curated by Willem Boshoff at the Nirox Sculpture Park, Johannesburg, Nevermind the M*ssat A SPACE, Helsinki, Kindergeburtstag, held at the Cité Internationale des Arts, Paris. His work has featured in the academic journal Graduate Research and Reviews in the History of Art and Visual Culture (2015) and has been named as a “young artist to watch” by the South African Art Times.

Moreover, his work is housed in public and private collections in both South Africa and abroad. He is a recipient of the Golden Key Society Award for Visual Art, the Irma Stern Scholarship and the Barbara Fairhead Prize.

David Brits
Selected works